Archive for the ‘Publicity’ Category

Wayne Strongman appointed to the Order of Canada

Thursday, January 7th, 2010

On December 30, 2009 Her Excellency The Honourable Michaëlle Jean, Governor General of Canada, appointed Wayne Strongman, Tapestry Managing Artistic Director, as a Member of the Order of Canada for his innovative contributions as the founding artistic director of Tapestry new opera works; as the long-time volunteer choral director for the Regent Park School of Music; and as a champion of Canadian composers.

“It is such an honour to be recognized by one’s country, especially in the arts. Those of us who are called to such creative activity don’t really do it for the praise! But for me it is especially warming to have the work of so many Canadian artists recognized: writers, composers, performers, designers, directors, stage directors and managers, administrators and an army of volunteers. They must all feel validated by this recognition that new Canadian operas are profoundly affecting our society, and this award is truly an affirmation of all our work.” Wayne Strongman

The new appointees include 25 Officers (O.C.), and 32 Members (C.M.). These appointments were made on the recommendation of the Advisory Council for the Order of Canada. Mr. Strongman and his fellow appointees will be invited to accept their insignia at a ceremony to be held at a later date.

Read the full press release from the Governor General’s office here.

Read Wayne’s full bio here.

Fabulous Review for The Shadow from Opera Canada

Thursday, October 22nd, 2009

2009_04_16_shadow_evite

Opera Canada Magazine has just published their 50th Anniversary issue and featured a thoughtful, rave review for The Shadow from Editor Wayne Gooding.

Here are a few quotes:

“…Daniel and Poch-Goldin have fashioned a splendidly theatrical piece, one of the strongest developed by Tapestry.”

“We’re in absurdist territory in this opera, a world of dark impulses and imaginings, where private inner worlds break through public masks. Shakespeare’s Falstaff lightly referes to the inner world as ‘Our Saturday selves,’ but Jung talks of ‘a shadow side…of a positively demonic dynamism.’  The opera impressively exemplifies the same dualism; playfulness and farce animate The Shadow’s external storyline, but hte comic evocation of the dark side leaves you with the disquieting sense that you’re in a room full of dirty little secrets-and wondering whether you’ve let any of your own slip out.”

“Among a very fine ensemble of singers, pride of place must go to baritone Peter McGillivray as Raoul/Hernando. His central role bears the biggest burden, and he negotiated the difllcult and taxing score with great musical skill and all the dramatic chops to create a strong, pivotal character. Countertenor Scott Belluz, resplendent in a long, pleated topcoat and dark glasses, threw himself with evident relish into the diabolical title role, for which composer Daniel made full use of a high singing voice and lower speaking voice to create the Shadow’s other-worldly presence. Soprano Carla Huhtanen created a winsomely lovelorn Allegra, a powerful and eloquent presence in an otherwise all-male ensemble, while the not-inconsiderable supporting roles of the moneylender and the waiter (a  kind of Fawlty Towers Manuel in musical overdrive) were vividly handled by; respectively, baritone Theodore Baerg and tenor Keith Klassen. This is first and foremost an ensemble piece, and it’s for the
excellence of this that the singers and the seven-piece orchestral ensemble conducted by Tapestry Managing Artistic Director Wayne Strongman deserve the greatest kudos.”

Click here to read the full review.

The Shadow

by Alex Poch-Goldin & Omar Daniel
(World Premiere May 2009  in Toronto)
Director: Tom Diamond
Music Director: Wayne Strongman
Set & Costume Design: Camellia Koo
Lighting Design: Robert Thomson
Cast: Carla Huhtanen, Peter McGillivray, Scott Belluz, Keith Klassen & Theodore Baerg

One-act opera of intrigue, desire and deception featuring a countertenor in the title role; premiered at the Berkeley Street Theatre, Downstairs in May 2009.

Juliet Palmer, Andrew Staniland, Aaron Gervais compositions for Toca Loca reviewed in Globe & Mail

Tuesday, September 22nd, 2009

Composers Juliet Palmer, Andrew Staniland and Aaron Gervais are featured as part of the new Toca Loca CD Review in the Globe & Mail.  All 3 have works in development at Tapestry as well! Visit our works in development page and read more about these upcoming world premieres:

Shelter
Juliet Palmer, composer
Julie Salverson, librettist

Dark Star Requiem
Andrew Staniland, composer
Jill Battson, libretttist

The Enslavement and Liberation of Oksana G.
Aaron Gervais, composer
Colleen Murphy, librettist

Toronto Star article on La Senorita Mundo

Monday, August 10th, 2009

La Senorita Mundo

Click here to read a John Terauds Toronto Star piece on Njo Kong Kie and Kico Gonzalez-Risso’s new opera La Senorita Mundo, now in its world premiere run at Toronto’s Summerworks Festival.

Fantastic article on new opera in EYE Weekly

Thursday, June 4th, 2009

Chris Hoile has written a wonderful cover feature for EYE Weekly on new opera in Canada in advance of the world premiere (June 5-11, 2009 in Toronto) of R. Murray Schafer’s The Children’s Crusade, co-commissioned by our friends at Soundstreams and Luminato.

From EYE Weekly:

“The contrast of a grand, site-specific work like Schafer’s The Children’s Crusade with a more modest one like The Brothers Grimm, whose portability has helped it to achieve enormous exposure, raises the question of whether Canadian opera will grow most with small- or large-scale works. Clearly, the dream will always remain of Canada creating one of the latter, which will enter the national repertory and, at some point, the world’s. There have been recent developments in this area such as Toronto’s Tapestry New Opera Works’ Iron Road by Chan Ka Nin (2001), Calgary Opera’s Filumena (2003) and Frobisher (2007), both by John Estacio, and Manitoba Opera’s The Transit of Venus (2007) by Victor Davies — the last three, surprisingly, in cities where modern opera had previously been anathema.

Wayne Strongman, managing artistic director of Tapestry, believes, “we have finally turned a corner in opera in Canada when audiences now want to see their own stories on stage.” Dáirine Ní Mheadhra, co–artistic director with John Hess of Queen of Puddings Music Theatre (QoP), agrees, saying that the number of excellent composers and singers, growth of less risk-averse audiences and instigation of www.opera.ca has reached a “critical mass” in Canada that has led to this recent boom.”

Click here to read the full article.

"Let's hope The Shadow never dies": Great review from Blog T.O.

Tuesday, June 2nd, 2009

Theodore Baerg in The Shadow, Photo (c) Michael Cooper, 2009

Blog T.O. is the latest to applaud The Shadow.

From Blog T.O.:

“The opera, directed by Tom Diamond, isn’t your typical lavish, melodramatic production and it’s more pleasurable as a result. The intimate Berkely Street Theatre houses this show and most of the story sung in English. There’s a small flat-panel TV suspended above the left side of the stage, hovering over the seven-piece stage “pit orchestra” ensemble. It subtly provides translation surtitles to the Spanish-sung passages. In such a small venue, it’s a delight to see up close the facial expressions of the performers.”

“The Tapestry production is top-notch, with especially strong voices from Peter McGillivray (baritone) as Raoul, Carla Huhtanen (soprano) Allegra, his love interest and Scott Belluz (countertenor) as the Shadow. Theodore Baerg (baritone) impresses in dual roles as the Don and Allegra’s father as well.”

“Tonight’s your last chance to see this show, unless it gets a remounted production, which it rightfully deserves. Let’s hope The Shadow never dies.”

Click here to read the full review.

Artist Featured: Theodore Baerg as Allegra’s Father
Photo © Michael Cooper, 2009

4 N's for The Shadow from NOW Magazine!

Tuesday, May 26th, 2009

Scott Belluz in the title role and Peter McGillivray as Raoul in The Shadow. Photo (c) Michael Cooper, 2009

Glenn Sumi from NOW Magazine is the latest to review The Shadow and he has given the production 4 N’s!

From NOW Magazine.

“There’s no shadow of a doubt that this production, in development for seven years, was worth the time and effort.”

Click here to read the full review.

The Shadow runs until May 30 at the Berkeley Street Theatre, Downstairs.

Click here for more info.

Tickets
$20-$49

Box Office
416.368.3110
canstage.com
totix.ca

Artists Featured: Scott Belluz as the Shadow & Peter McGillivray as Raoul
Photo © Michael Cooper, 2009

Production Photos from The Shadow

Saturday, May 23rd, 2009

Check out some great shots from the world premiere production of The Shadow.

The Shadow runs until May 30 at the Berkeley Street Theatre, Downstairs.

Click here for more info.

Tickets
$20-$49

Box Office
416.368.3110
canstage.com
totix.ca

Artists featured: Theodore Baerg, Scott Belluz, Carla Huhtanen, Keith Klassen & Peter McGillivray
All Photos are © Michael Cooper, CooperShoots, 2009.

Great Reviews for The Shadow in the Globe & Mail and EYE Weekly!

Saturday, May 23rd, 2009

Carla Huhtanen, Peter McGillivray & Keith Klassen - PHOTO (c) Michael Cooper

Here is what some of the reviewers have been writing about The Shadow.

From the Globe & Mail:

“The recession has done no harm to debt collectors, whose booming business gives an unforeseen timeliness to The Shadow, the new opera by composer Omar Daniel and librettist Alex Poch-Goldin. This engrossing 90-minute piece, which was performed for the first time on Thursday, tells the story of a postman who borrows too much money in order to deceive and impress a bored upper-class woman he meets on his route.”

Read the full review here:

http://www.theglobeandmail.com/news/arts/the-postman-delivers-lessons-in-social-climbing/article1149337/

From EYE Weekly:

“A clever mix of comic opera and high melodrama, this humorous and heightened world premiere seems designed to be enjoyed by opera aficionados and lay-folk alike.”

Read the full review here:

http://www.eyeweekly.com/arts/theatre/article/61364

The Shadow runs tonight at 8pm and tomorrow at 4pm and next week Wednesday through Saturday at 8pm at the Berkeley Street Theatre, Downstairs.

Click here for more info.

Tickets
$20-$49

Box Office
416.368.3110
canstage.com
totix.ca

PHOTO: Carla Huhtanen, Peter McGillivray & Keith Klassen (c) Michael Cooper, 2009.

Shadow Review from EYE Weekly

Friday, May 22nd, 2009

Tapestry presents The Shadow May 21-30, 2009

Byron Lavoilette from EYE Weekly has reviewed The Shadow.

From EYE:

Taking inspiration from a dark, debt-collecting figure from Spanish history and a Carl Jung archetype based around the desires locked in our unconscious mind, The Shadow is lighter fare than it may first appear. A clever mix of comic opera and high melodrama, this humorous and heightened world premiere seems designed to be enjoyed by opera aficionados and lay-folk alike.

Read the full review here.

The Shadow runs until May 30 at the Berkeley Street Theatre, Downstairs.

Click here for more info.

Tickets
$20-$49

Box Office
416.368.3110
canstage.com
totix.ca