Dark Star Requiem ran for a whirlwind 2 night run at  Koerner Hall over the weekend, to open Luminato, and we’ve gotten some great feedback from local and international press and blogosphere!

Here is a quick round up of some reviews.

From the Toronto Star:

John Terauds calls Dark Star Requiem “Artistically adventurous and intellectually provocative” and “exactly the kind of project that the Luminato festival wants to be about”, comparing it to “the best executions of new music you can find anywhere in the world.”
Click here for the full review.

John also lauds the “marvel” that is Koerner Hall in a subsequent Sound Mind blog post, and writes:

“Just as the Royal Conservatory of Music did earlier this year with its inaugural opera production, Tapestry New Opera Works shows us how a concert-hall stage, with its wrap-around balconies, can effectively work as a theatrical stage as well. Dark Star Requiem director Tom Diamond and his creative team have used every curve and wooden texture around the stage to enhance the clever lighting and video projections. In fact, it was probably a more effective staging than would have been possible on a conventional proscenium stage.

From Arts & Culture Maven:

Arts & Culture Maven calls Dark Star Requiem “Striking, beautiful, and wonderfully weird.”
Click here for the full review.

From La Scena Musicale:

Joseph K. So writes “For anyone who cares about this 20th century tragedy, it should not be missed”.
Click here for the full review.

From The Baltimore Sun:

Tim Smith calls Dark Star Requiem “an ambitious work with a noble aim” which “provides a valuable jolt out of complacency.”
Click here for the full review.

From Positive Lite

Bob Leahy calls the staging of Dark Star Requiem “astonishing”, “captivating”, and “all handled with great dignity”.
Read the full review here.

Will update as more reviews are posted.

Artist Pictured: Neema Bickersteth and Peter McGillivray (turned) in the world premiere of Dark Star Requiem.
Photo © Brian Mosoff